Sri Vinayaka Temple, Guddattu

Guddattu Sri Vinayaka Temple is located at Kundapura, Udupi District in the state of Karnataka, India.

It is a Hindu temple dedicated to god Ganapathy, also called Jaladhivasa Ganapathy Temple, It is the only Jaladhivasa Ganapathi temple in India. Lord Ganesha’s three-foot idol is believed to have emerged from the rock. Aayira Koda Seva, Tailabhyanjana, Panchamrutha and Rudrabhisheka are performed in the temple everyday.

Guddattu Sri Vinayaka Temple History

According to legends, Lord Shiva went to war against the demon Tripurasura. Unfortunately, Lord Shiva forgot to worship Lord Ganesha before going to war. Because of this, Lord Shiva was not victorious in the war. Lord Shiva got angry after realizing that because of his son, Lord Ganesha, he could not achieve victory. Angry Shiva shot hideous arrows aimed at Lord Ganesha. However, no arrow hurt Ganesha. The arrows carried Lord Ganesha and threw him into the ocean of honey.

Lord Ganesha emptied the ocean as he is very fond of honey. Lord Ganesha became happy and blessed Shiva. After that, Lord Shiva won the war and killed the demon. The excessive consumption of honey caused a burning sensation in Lord Ganesha and he began to writhe in pain. Lord Shiva took pity on his son and ordered Ganesha to reside in the pool adjacent to holy Narasimhatheertha. Lord Ganesha made the pond in the huge rock his home.

How to Reach Guddattu Vinayaka Temple:

The nearest airport is at Mangalore, Nearest Railway Station is at Kundapur and Udupi. by road, Guddattu is well connected with all major cities.

Address:
Guddattu Vinayaka Temple
Shiriyara-Guddattu Road,
Guddattu Kundapura,
Yedadi Matyadi,

Karnataka – 576222.

Kedareshwara Temple, Balligavi

The Kedareshvara temple (also called as Kedareshwara or Kedaresvara) is located in the town of Balligavi (known variously in ancient inscriptions as Belagami, Belligave, Ballagamve and Ballipura), near Shikaripura in the Shimoga district of Karnataka state, India. Dotted with centers of learning (agrahara), Balligavi was an important city during the 11th or 12th century of Western Chalukya rule.

The term Anadi Rajadhani (ancient capital) used in medieval inscriptions to describe this town tells a tale of great antiquity.

Art historian Adam Hardy classifies the style involved in the construction of the temple as "Later Chalukya, non mainstream, relatively close to mainstream". He dates the temple to late 11th century, with inscriptional evidence of additions made up to 1131, by the Hoysalas during their control over the region. The building material used is soapstone. The Archaeological Survey of India classifies the style of architecture as distinctly Hoysala.

Soumyakeshava Swamy Temple at Nagamangala

Soumyakeshava temple (also spelt Sauymakesava or Soumyakeshava) at Nagamangala was constructed in the 12^th century by the rulers of the Hoysala empire.

Nagamangala is a town in the Mandya district of Karnataka state, India. It is located 62 km from the historically important town Mysore, on the Srirangapatna-Sira highway. Historically, Nagamangala came into prominence during the rule of Hoysala King Vishnuvardhana when it became an important center of Vaishnava faith and received patronage from one of his queens, Bommaladevi. During the rule of Veera Ballala II, Nagamangala prospered as an agrahara (place of Hindu religious studies) and had the honorific Vira Ballala Chaturvedi Bhattaratnakara. The temple is protected as a monument of national importance by the Archaeological Survey of India.

According to art historian Adam Hardy, the basic plan of the shrine (mulaprasada) is stellate (star shaped). It stands on a platform called jagati and is constructed with Soap stone material. According to historian Percy Brown this is a Hoysala innovation. Overall, the temple exhibits the nagara features (northern Indian influence) seen in a few other Hoysala temples such as in the Sadasiva Temple, Nuggehalli. According to art historians Gerard Foekema and Percy Brown, nagara features are seldom seen in Hoysala temples.

The temple is a large structure and has received patronage by multiple dynasties and reveals features of the later day Vijayanagara empire, whose rulers added the entrance and tower over it (mahadvara) and bounding walls (prakara). Some post-Vijayanagara features are also visible. The tower over the entrance (gopuram) is a 7-story tall lime and brick structure that is adorned by Hindu gods, goddesses and other decorative structures in stucco.

The temple is three shrined (trikutachala), has a garbhagriha (sanctum), and a vestibule (antarala) that connects the sanctum to the a closed mantapa (inner hall, navaranga) which opens into a large pillared gathering hall (mahamantapa). According to Percy Brown and Gerard Foekema, these are standard features in a Hoysala temple. The closed hall has two lateral shrines, one in the north and the other in the south. To the east, the large hall opens onto the platform that is meant for clockwise Circumambulation by devotees since the inside of the temple does not provide any such feature. On the platform, the base of the temple (called adhisthana) consists of moldings that take the stellate form of sanctum but become staggered square at the mahamantapa. The outer wall of the shrine and the large hall are single pilastered turreted walls. The tower over the shrine (shikhara) is plain without the typical ornamentation giving the temple as a whole an austere look.

The temple gets its name from the “serene” (“Saumya”) six feet tall image of Keshava, a form of the Hindu god Vishnu that stands on a garuda (eagle) pedestal. The roof of the closed mantapa is supported by lathe turned pillars, a standard feature in Hoysala constructions. These pillars divide the ceiling into “bays” (four central pillars create 9 bays in the closed hall) that are exceptionally well treated.